電流、星系、降靈會 創作計畫
日裔情報員谷豐於1911年與家人飄洋過海到馬來半島。為了報殺妹之仇,他以ハリマオ(馬來語Harimau的諧音字)作為諢名變成俠盜。他的故事在日本被翻拍成電影與電視劇,造型從情報員、穆斯林到牛仔,更於1966年出現在臺灣的臺語電影《龍虎鬥》裡。
以谷豐和馬來之虎為核心的創作系列展開本次計畫「電流、星系、降靈會」。繼2020年「靜海武士的極盡旅程(三幕劇)之作品初期發展計畫」對於流動偷窺秀和作品文本的實驗,本計畫隨著西部電影的關鍵題旨,騎著馬,穿緊身上衣牛仔褲陪著短槍,前進荒漠打開秘境的西部牛仔,轉身步入近似未來的場景。當未來降靈,電流、星系魅影迴旋。主角Harimau轉身為女扮男裝,性別不斷流變,形貌異化的不穩定身體。借用美國哲學家唐娜.哈洛威(Donna Haraway)的說法,「身體不再是一張包含正常化功能的穩定空間地圖….身體乃是一個記號系統,一個產出意義的複雜領域。」
Electric, Cosmos and the Séance Project
Originally from Japan, Yutaka Tani moved to Malaysia in 1911 with his family and he later became a bandit known as Harimau (Malay word for tiger) after seeking vengeance on behalf of his sisters. In Japanese films and TV dramas adapted from his life stories, Tani was depicted as a secret agent, muslim, and even a cowboy. He even appeared in a Taiwanese Hokkien-speaking film,the Battle of the Dragon and Tiger (龍虎鬥, 1966).
This film is the second part of Au Sow Yee’s trilogy, the Extreme Journey of Perwira and the Calm Sea. In this new work, the director reimagined Tani’s journey and explored how the changing concept of borders and boundaries can be translated into physical and visual embodiment through image and sound devices. A film of this project was shot in both Taiwan and Malaysia. In the part filmed in the Guling Street Avant-garde Theatre, a Taiwanese actress reenacted Tani’s shifting images through gender crossing. The other part of the shooting was taken in the Kelantan coast of Malaya, which was a landing point of the Japanese troops in 1941.
