The Extreme Journey of Perwira and the Calm Sea Pre–Creation Development Project
How did Tani Yutaka, a Japanese intelligence officer in the 1940s, come to be the vengeful bandit Harimau (Malay word for “Tiger”) and fluent in Malay in the public eye? Artist Au Sow Yee delves into this highly influential timeline for the trio of Taiwan, Japan, and Malaysia across the first half of the 20th Century with her Extreme Journey of Perwira and the Calm Sea: In 3 Acts.
Au Sow Yee is a Malaysian artist based in Taipei with a long-term focus on borders in Asia and Southeast Asia. Through mixed media such as videos, installations, sounds, archivess, and performances, Au Sow Yee explores the power dynamics hidden beyond the seen borders, piercing through the historical timelines of 20th-Century Taiwan, Japan, and Malaysia with the Extreme Journey of Perwira and the Calm Sea:In 3 Acts. Au Sow Yee and Chen Yow-Ruu mainly focus on the research and development of the second scene for this project. Inspired by depictions of Malaysian pop culture elements and the post-war era in Show Business Records of the South, Au Sow Yee and Chen Yow-Ruu share bits of their findings through lectures and lecture-performances, outlining a metaphor of “pioneering” unknown lands.
靜海武士的極盡旅程 創作前期發展計畫
1940年代日本情報員谷豐,如何在大眾文化的 塑造下,化身為說著流利馬來語,頂著馬來語 中老虎Harimau化名而生的「怪傑哈力貓」角 色,成為復仇的俠盜?藝術家區秀詒透過「靜 海武士的極盡旅程」三幕劇創作,切入這段20 世紀上半葉對「臺灣—日本—馬來西亞」關係 影響最為深遠的時間軸線。
以臺北為生活和工作基地的馬來西亞藝術家區秀 詒,長期關注泛稱為亞洲和東南亞區域的「邊 界」相關命題,藉由影像、裝置、聲音、資料 庫、表演等混合形式,探索地圖視覺邊界背後 隱匿的權力部署和角力關係。她透過「靜海武 士的極盡旅程」三幕劇切入20世紀臺日馬三地 歷史軸線。本次合作以第二幕劇的研究發展為 主,區秀詒與創作夥伴陳侑汝探索起點來自於 《南方演藝記》書中關於馬來亞大眾流行文化 元素和世界大戰硝煙瀰漫之際的各種面貌,並 藉由專題講座與講演表現階段性呈現的內容, 為參與者勾勒出一個未知之地的「拓荒」隱喻。
